Violinist Tessa Lark is one of the most captivating artistic voices of our time, consistently praised by critics and audiences for her astounding range of sounds, technical agility, and musical elegance. Increasingly in demand in the classical realm, in 2020 she was nominated for a Grammy in the Best Classical Instrumental Solo category. She is also a highly acclaimed fiddler in the tradition of her native Kentucky, delighting audiences with programming that includes Appalachian and bluegrass music and inspiring composers to write for her.
Lark’s newest album, The Stradgrass Sessions, features a mix of original compositions by the violinist and her collaborators — double bassist Edgar Meyer, pianist Jon Batiste, mandolinist Sierra Hull and fiddler Michael Cleveland — with a sonata by Eugène Ysaÿe, Bartók violin duets arranged for violin and mandolin and the world premiere recording of John Corigliano’s STOMP.
The violinist has performed with orchestras, recital venues and festivals around the world. She has appeared with the Royal Scottish National Orchestra; the Louisville Orchestra; and the Albany, Indianapolis, Knoxville and Seattle Symphonies; as well as being presented by Carnegie Hall, New York’s Lincoln Center, London’s Wigmore Hall, Amsterdam's Concertgebouw, the Music Center at Strathmore, the Isabella Stewart Gardner Museum in Boston, Cal Performances, San Francisco Performances, the Seattle Chamber Music Society, Australia’s Musica Viva Festival and the Marlboro, Mostly Mozart and Bridgehampton summer festivals.
Lark’s debut commercial recording was the Grammy-nominated Sky, a bluegrass-inspired violin concerto written for her by Michael Torke and performed with the Albany Symphony Orchestra. Besides The Stradgrass Sessions, her discography also includes Fantasy on First Hand Records: fantasias by Schubert, Telemann and Fritz Kreisler; Ravel’s Tzigane; and Lark’s own composition Appalachian Fantasy. Invention, marking the debut album for the violin-bass duo made up of Lark and her fiancé, Michael Thurber, comprises arrangements of Two-Part Inventions by J. S. Bach along with original compositions by both duo partners. Finally, a live performance recording of Astor Piazzolla’s Four Seasons of Buenos Aires was released in 2021 by the Buffalo Philharmonic in honor of Piazzolla’s centenary.
Lark is a recipient of the Hunt Family Award, one of Lincoln Center’s prestigious Emerging Artist Awards, as well as a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant. She was Silver Medalist in the 9th Quadrennial International Violin Competition of Indianapolis and winner of the 2012 Naumburg International Violin Competition.
In addition to her performance schedule, Lark was recently named Artistic Director of Musical Masterworks, a chamber music presenter in Old Lyme, Connecticut. She champions young aspiring artists and supports the next generation of musicians through her work as Co-host/Creative of NPR’s From the Top, the premier radio showcase for the nation’s most talented young musicians. She also serves as Mentor and board member of the Irving M. Klein International Strings Competition.
Lark is a graduate of New England Conservatory and completed her Artist Diploma at The Juilliard School, where she studied with Sylvia Rosenberg, Ida Kavafian, and Daniel Phillips. Her primary mentors include Cathy McGlasson, Kurt Sassmannshaus, Miriam Fried and Lucy Chapman. She plays a ca. 1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago.